WITH the uniform colors-colorful, the dancers sit cross-legged. Slowly, they began to clap my hands, chest, and thighs. Occasionally change the position with the body resting on the knee, bending, sloping to the back, to the right or to the left. All done with a compact and harmonious. Tempo becomes faster. This is what makes the show saman always wowed the audience.
Saman dance is one of traditional dance from Aceh. This dance comes from the Gayo highlands and developed Shaykh Mohammad as-Samman, a teacher of sufism birth of the Medina, in the 17th century Ad.
This dance reflects the educational, religious, manners, heroism, teamwork and kebersamaanPenari Saman is beraksiPenari Saman before menariPenari Saman with the Team photo IETari Saman is usually displayed to celebrate the important events in adatSalah one Dance movements SamanTari Saman dance is a dance men
Sufism is a kind of appreciation of the depth of Islam through a variety of ways that do not conflict with the teachings of Islam. The hallmark of sufism can be seen from the gathering (tariqa) which consists of teachers and students. Every teacher has a different way to teach the mystical.
Syekh Samman choose art to teach the mystical. He made a number of verses of praise to God and the Prophet Muhammad. “Compose words and the rules of motion and the attitude of the body that accompanies the motion,” wrote Snouck Hurgronje in Aceh in the Eyes of Colonialists II.
A number of people captivated by the way Syekh Samman teach sufism. They become disciples. Some of the students then got permission from Syekh Samman to spread the teachings of the mystical. Together Syekh Samman, they pass it up to the land of the Malays, including to Gayo, Aceh region.
Arrived in Aceh, syair-syair karya Syekh Samman live and thrive along with the indigenous traditions of the local community. The local people call it as “the book of saman” (with one ‘m’). Now people know him as the Saman dance.
When doing practice book saman, Syekh Samman ask students to sit lined up in several rows. The number of students can reach tens and even hundreds. But for this practice, the number of students is usually an odd number and everything man.
Their mouths then chanted the hymns, while his hands are patting your chest, thighs, and his own shoulder. From this it is seen the mingling of local traditions with the teachings of Shaykh Samman.
Pat hand is included in the typical dances of the Malay ancient long before the arrival of Syekh Samman. This evidence is reinforced by the records of Marco Polo, Italian explorers, who visited Samudra Pasai in the 13th century.
One night, Marco Polo heard a noise. “After that, Marco Polo went to see it and saw a series of youth Gayo’re playing saman lined up at the top of the stem of the coconut that has been recline (in the language of Gayo called jejunten),” said Rajab Bahry et al in Saman, Art from the Gayo highlands.
Patting movements of the hand still survive when Syekh Samman came to Aceh. “Allegedly, when the spread of Islam, Sheikh Saman learn the dance of ancient Malay, then bring back the passing of the motion which is accompanied by poetry Islamic propagation for easy preaching,” record the Receipt Septiana Dewi in a Diversity of traditional Dance.
Group tariqa Syekh Samman is usually held a dance on the anniversary of the birth of the Prophet Muhammad or Mawlid. This group also fill the saman dance with the reading of the life history Syekh Samman. But then this dance has evolved into various regions of the Aceh and start practiced in the great day of his birth.
It was no longer just a praise to God and the Prophet Muhammad, but also about the history of local leaders, life advice, and reminders will be customs. Reading history Syekh Samman even began to disappear in some places. Which was not just men; women are allowed to dance saman.
The Dutch colonial government had banned the saman dance. The reason, of fomenting resistance and contains elements of the magi. At that time saman used the fighters Aceh to rekindle the spirit of the people of Aceh against the Dutch.
Usually in a show saman dance, there’s someone who is in the middle position. He is referred to as sheikh or the leader of the show. He is the narrator at once a regulator of the tempo and speed of the viewer.
Saman dance became widely known in Indonesia in 1974. When it’s saman dance performed in the opening of Taman Mini Indonesia Indah. After that, a lot of people staged a race or festival tari saman.
Each viewer in the saman dance using the traditional dress typical of Aceh loose, long, and bright colour such as red, yellow, and purple. Complete with gloves and a headband, for both men and women.
The presence of the Jakarta Arts Institute (IKJ) and Pusat Kesenian Jakarta Taman Ismail Marzuki (PKJ-TEAM) helped lift the saman dance to the national stage. The choreographer of IKJ often re concocted saman dance that can be paired with modern dance or contemporary. They then display the choreography in the TEAM. A lot of the pros and cons about the search for a new form of saman dance. But because of that, saman dance is increasingly known to people.
Although the saman dance is growing rapidly, there are a few rules that still survive. Among others, the movement called palsy, kirep, lingang, lengek, shake, and surang-strain. Elements of education are also never out of the saman dance.
Now the saman dance is often performed in various official events of state. Many dance studios are also open class saman dance. Because of the beauty and the depth of the message, saman survive.*
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